Publications:

Monographs
- Metafilm Music in Jean-Luc Godard's Cinema. New York: Oxford University Press, 2022.
- Exilierte Göttinnen: Frauenstatuen im Bühnenwerk von Kurt Weill, Thea Musgrave und Othmar Schoeck. Hildesheim: Georg Olms Verlag, 2012.

Edited Volumes
- With Ewelina Boczkowska. Music, Authorship, Narration, and Art Cinema in Europe: 1940s to 1980s. New York: Routledge, 2023.
- With Ewelina Boczkowska. Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War. New York: Routledge, 2020.
- With Beat A. Föllmi. Das Streichquartett in der ersten Hälfte des 20. Jahrhunderts: Bericht über das dritte Internationale Symposium Othmar Schoeck in Zürich, 19. und 20. Oktober 2001. Schriftenreihe der Othmar Schoeck-Gesellschaft 4. Tutzing: Hans Schneider, 2004.

Recent Journal Articles
- "Domination over the Risorgimento: Anton Bruckner's Seventh Symphony in Luchino Visconti's Senso (1954)." Journal of the Royal Musical Association (Cambridge University Press), vol. 147, no. 2, Autumn 2022, pp. 1-38.
- "Jean-Luc Godard's Le mépris: Conventional Film Music in an Unconventional Guise." The Soundtrack, vol. 13, no. 1, 2022, pp. 17-41.
- "Jean-Luc Godard's First Name: Carmen (1983): Beethoven and the Concept of Two Sounds." Music, Sound, and the Moving Image, vol. 15, no. 1, Spring 2021, pp. 3-35.
- "J. S. Bach, Godard, and the Reimagining of the Immaculate Conception in Hail Mary (1985)." BACH: Journal of the Riemenschneider Bach Institute, vol. 50, no. 2, 2019, pp. 174-219.
- With Amanda Goodsett. "Serving the Needs of International Students: A Qualitative Study." Journal of Music History Pedagogy, vol. 9, no. 1, Spring 2019, pp. 44-66.
- "Duke Ellington's 'East St. Louis Toddle-O' Revisited," Jazz Perspectives, vol. 6, nos. 1-2, 2013, pp. 29-56.

Recent Book Chapters
- "British Crime Dramas and Nordic Noirs: Geo-Immersive Music, Trauma, and Environment." Oxford Handbook of Music and Television, edited by James Deaville, Jessica Getman, and Ronald Rodman, New York: Oxford University Press, forthcoming.
- "Louis de Funès as Gendarme: Self-Reflexive Music and Comic Incongruity in the Golden Age of French Comedies (1964-80)." The Palgrave Handbook of Music in Comedy Cinema, edited by Emile Wennekes and Emilio Audissino, Palgrave Macmillan, 2023, pp. -.
- "Introduction." Baumgartner and Boczkowska, Music, Authorship, Narration, and Art Cinema in Europe, pp. 1-29.
- "Underscoring Chased Heroes and Robbing Villains: Music of Immediacy in New Hollywood Action Thrillers of the late 1960s and 1970s." Music in Action Film: Sounds Like Action!, edited by James Buhler and Mark Durrand, New York and London: Routledge, 2020, pp. 99-115.
- With Orlene Denice McMahon. "Fugue States: Music, Memory, and Trauma in Alain Resnais's Early 1960s Films." Baumgartner and Boczkowska, Music, Collective Memory, Trauma, and Nostalgia, pp. 159-83.
- With Ewelina Boczkowska. "Introduction." Baumgartner and Boczkowska, Music, Collective Memory, Trauma, and Nostalgia, pp. 1-21.
- "Die Staatsoper Unter den Linden unter nationalsozialistischer Herrschaft: Opernpremieren, Repertoireopern und Zensur." "Das Schloss Dürande" und ihr Umfeld, edited by Thomas Gartmann and Simeon Thompson, Musikforschung der Hochschule der Künste Bern: vol. 10, Schliengen: Argus, 2018, pp. 23-50.
- "'The Camps - Nobody Has Ever Shown Them': Jean-Luc Godard, Holocaust, Histoire(s) du cinéma and 'Cinema of Resistance'." Arts and Terror, edited by Vladimir L. Marchenkov, Newcastle upon Tyne: Cambridge Scholars Publishing, 2014, pp. 37-72.
- "Kurt Weills One Touch of Venus in Deutschland." Die Rezeption des Broadwaymusicals in Deutschland, edited by Nils Grosch and Elmar Juchem. Veröffentlichungen der Kurt-Weill-Gesellschaft Dessau 8, Münster, New York, München, and Berlin: Waxmann Verlag, 2012, pp. 109-32.
- "Partisanenparabel / Passionsmusik: Alfred Schnittkes Filmmusik zu Larissa Schepitkos Die Erhöhung." Alfred Schnittke: Analyse - Interpretation - Rezeption, edited by Amrei Flechsig and Christian Storch, Hildesheim: Georg Olms Verlag, 2011, pp. 195-218.
- "'A Walk through R': Peter Greenaway's Mapping of Rome in The Belly of an Architect." Cinematic Rome, edited by Richard Wrigley, Italian Studies Series, London: Troubadour Press, 2008, pp. 143-72.
- "Chanson, Canzone, Schlager, and Song: Switzerland's Identity Struggle in the Eurovision Song Contest." A Song for Europe: Popular Music and Politics in the Eurovision Song Contest, edited by Ivan Raykoff and Robert Deam Tobin, Aldershot: Ashgate, 2007, pp. 37-47.
- "L'homme à la fille en or: L'univers sans attaches de James Bond." James Bond (2)007: Anatomie d'un mythe populaire, edited by Françoise Hache-Bissette, Fabien Boully and Vincent Chenille, Paris: Éditions Belin, 2007, pp. 154-72.
- "Venus in Manhattan: Transiträume und utopischer Raum in Kurt Weills One Touch of Venus." Street Scene. Der urbane Raum im Musiktheater des 20. Jahrhunderts, edited by Stefan Weiss and Jürgen Schebera. Veröffentlichungen der Kurt-Weill-Gesellschaft Dessau 6, Münster, Berlin, München, and New York: Waxmann Verlag, 2006, pp. 69-89.

Numerous Entries in The Grove Dictionary of American Music, 2nd edition. Oxford and New York: Oxford University Press, 2013 and Musik in Geschichte und Gegenwart. 2nd edition. Kassel and Stuttgart: Bärenreiter and Metzler, 2001-7.